True to its name, Gold Lamé’s GOING captures a time and a place and a feeling that is already disappearing as you listen. In the end, Goldstein moved back to Brooklyn, and LeMay moved to London. It’s music that rewards headphone-listening and conjures the tension between its creators’ solitude and connection. The former rivals’ giddy, “just say yes” approach is palpable as they build upon each others’ ideas, from electronic drones, to tin-foil percussion, to a random banjo. Throughout its tight 32 minutes, GOING crackles with the thrill of discovery, channeling the youthful energy of their old bands and the try-anything spirit of 2000s indie rock into something more organic and strange. (“When I breathe in the highs get boosted when I breathe out the lows get boosted.”) For the spiraling opening track “STRING,” Goldstein extracted a chord progression from a sequence of randomized guitar figures from LeMay, transforming a scribble of an idea into a soaring opening salvo. The entire mix of the gauzy, galloping “FROST” is side-chained to a track of LeMay’s breath. They were then sculpted into compositions with arcs and well-earned crescendos, like Tortoise trying their hands at power pop. Drumkit-led tracks like “FINGERS” and “CASCADE” started as patterns LeMay would anxiously tap out while trying to fall asleep. If GOING doesn’t sound like anything else, that’s because of how it was created-entirely over email, amid the loopiness of quarantine, with no rush from a label and no one to impress but each other. GOING is an exuberant, open-hearted suite of instrumentals that blur the barriers between live performance and electronic production, evoking something like a flash photograph of a backyard at night. The resulting album, their debut as Gold Lamé, is called GOING. While others baked sourdough, read War and Peace, watched Love is Blind, Goldstein and LeMay emailed musical ideas to one another down the road. On the cusp of this new chapter, the pandemic began. After finally meeting for a beer, the two began hashing out ideas in LeMay’s basement studio for a project that could channel their shared tastes and newfound alliance into something more adventurous and abstract than their previous projects. Their mutual angst and envy had tuckered itself out. Then, in 2019, they realized that they had both moved from the East Coast to the same quiet neighborhood in Portland, Oregon, just a few blocks apart. Goldstein began releasing ambient electronic music under his own name. They moved in adjacent circles and eyed each other from a distance. They both wrote about music (Goldstein for record labels, LeMay as an early contributor to Pitchfork). They both played in cult NYC indie bands of the 2000s (Goldstein in Harlem Shakes and ARMS, LeMay in Get Him Eat Him and Kleenex Girl Wonder). Not the kind of rivals who are too different-the kind who are too alike, whose mere existence is a challenge to the other.
Non stretch characteristics and medium stiff hand make this fabric perfect for structured garments, cheer bows and home and event decorations.Todd Goldstein and Matt LeMay began as rivals. Perfect for dance, cheer, bows, gymnastics, figure skating, costume, cosplay, apparel and more. Especially stunning when combined with motion and light.
Gold metallic lame fabric featuring a polyester metallic blend for subtle shine and sparkle. ĭance / Recital / Costume / Entertainment / Event Décor / Team / Spirit / Cheer / Band.Tags: Cheer Bow Fabric, Cheer Bow Fabric by the Yard, Stretch Fabric by the Yard, Hologram Fabric By The Yard, metallic fabric, foil fabric, Fabric, Stretch fabric, Metallic Lame Fabric, Fabric by the yard, Spandex Fabric, Gold Fabric Category: 2 Hologram, Metallic & Foil Fabrics, Metallic Lame
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